Elisabeth Das Musical Sheet Music

On the other hand, the Swiss music industry continued to see the rise of many new artists, or the diversification of the already existing ones, and the emergence of new labels. Also the quality of printed sheet music improved considerably, as illustrated by the beautiful designs of Rudolf Kreuger, Willy Herzig, Willy Krock, and André Gros. The first German-language designs of Hermann Hesse, a renowned artist with a large output of striking covers, are included.

The switch to paper-backed sheet music also began to come to the fore. This is illustrated by many examples of Swiss artists such as Fritz Lang, Louis Lortie, and Sophie Muller. In this period, the German music industry was already making its first steps into the Swiss market, as can be seen with the series of CD releases of Karl Straube, Thomas Hechinger, and Helmut Melcher. The Swiss music labels of the time included Compagnietheater, Amadeus, Schweizer Song, and Ibach. Some artists, such as Edith Mathys, Maria Reichenbach, and Margaret Kraz, toured widely throughout Europe and the United States, while others remained active in the local markets.

A number of other Swiss artists started to appear on some of the releases, notably Georges Bauer, Josef Brendler, Walter Bruch, Alfred Boeyer, Rudolf Carles, Alfred Crusie, Karl Dämmerli, Hans Bickel, Peter Blanchard, Franz Bruder, Hans Loewe, Paul de Roth and Karl Rudi. One of the most popular Swiss artists in Germany at this time was Hermann Weidemann, who also collaborated on the sets for the musicals Die Kabinette and Der Silberschwert. Hans Engler and Konrad Wothe were among the few German sheet music artists that crossed over to the Swiss markets and, to a lesser extent, the German one. All of these artists (with the exception of Weidemann) were still active with their main labels at the time of the release of the musicals.

The focal point for the release of the musicals was the Deutsche Grammophon recording label. The first productions were made available in 1920, and by 1938, the label was releasing two new German-language cast albums a year.

In the tradition of musical stage productions of the past, The Emperor's New Clothes has a large ensemble of male and female performers and requires a large complement of instrumentalists: a large orchestra and chorus, wind players, brass, strings, woodwind and timpani. An extensive arrangement of the score, complete with some twenty original compositions, is provided, as well as piano and violin reductions, and a version for wind quintet.

This is the first release on the new Frits Barends label and it is a great pity that Frits does not actually publish or bring out the works of Elisabeth Fuchs. Their releases are always of high standard.

The MATLAB environment is based on the MathWorks MATLAB® Compiler, or MMC, which is a proprietary language developed by MathWorks to facilitate the building of applications. MMC understands the MATLAB language and various task APIs and provides efficient intermediate language compilers for compiling functions and scripts. 827ec27edc